Janghan Choi, who developed the fate of humans connected to mountains, earth, trees, forests, and lands into Stories in life–time, returns the inner reverberation of his mental image that he has experienced and felt to the resonance of intuition. The artist’s struggle to express rising images sensuously and to sink into the thought of generation and extinction is engraved like a relief, and leads the screen further stoutly by repeating visual expansion and contraction. By unifying toughness and softness and meeting and parting into the word ‘life,’ he reveals the meaning of endless exploration including the eternity and religiosity of time.